Photos of 'What Isn't Here Hasn't Happened' at the Bargehouse, London


Sarah Warsop and Tracey Rowledge, Graphite on paper, 2011


Sarah Warsop and Tracey Rowledge, Graphite on paper, 2011


Sarah Warsop and Tracey Rowledge, Graphite on paper, 2011


Sarah Warsop and Tracey Rowledge, Library of processes
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New Photos of Sarah Warsop's Jewellery by Steve Speller


Sarah Warsop, Ruthenium Plated silver neck piece, 2011.

Sarah Warsop, Rose Gold Plated Silver Ring, 2011.

Sarah Warsop, Ruthenium Plated Silver Ring, 2011.


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New Collection. Photographs by Steve Speller.


Brooch. 18ct Gold. 2010
Sarah Warsop


Brooch. 18ct Gold. 2010.
Sarah Warsop


Brooch.18ct Gold. 2010.
Sarah Warsop


Pendant. 18ct Gold.2010.
Sarah Warsop


Earrings. 18ct Gold. 2010.
Sarah Warsop

Ring. 18ct Gold. 2010.
Sarah Warsop


Ring. 18ct Gold. 2010
Sarah Warsop


Ring. 18ct Gold. 2010
Sarah Warsop


Ring. 18ct Gold. 2010
Sarah Warsop

This collection was made possible with support of Arts Council England Lottery funding and Dancers Career Development. Thank you.
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Brighton and Hove permanent collection.


Portraits Brooch. Silver. 2010.
Sarah Warsop
Now in the Brighton and Hove Permanent Collection.

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Thursday 11th November.

Last night was my last contribution to 'Is it madness. Is it beauty' by Clare Twomey at the Siobhan Davies Studios. Gill Clarke will take over until it finishes on Sunday at 6pm.

Look through the photos to go back in time to the beginning. Maybe someone will send me a picture of the last day to finish off the progression.

Two events happened last night:

After I'd been pouring water into vessels and mopping up the water as the vessels cracked and spilled their contents on the ground for about two hours, two women came into the room. They stood and watched and chatted, and sat and watched and chatted about monotony in general. About how my tasks were quite varied so maybe it wasn't so bad to be doing what I was doing... Then one woman started to relate to her friend the story of the dung beetle. How he gathered his ball of dung several times his own size and rolled it up a slope which took hours. As it reached the top he lost hold. The dung ball tumbled back to the bottom. The dung beetle collected his load and started up the slope...
They were in the room a long time, enjoying each others company, appreciating the piece, 'getting it'.


Later, when the room was completely empty, a man strode in. He looked around briefly and demanded that the invigilator tell him what it was all about. When he didn't get a reply that satisfied him, he turned to me as I mopped and asked "Why is it so wet in here?"
I continued mopping...
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Week two. Wednesday 10th November.


The stack going down
4.30pm Wednesday 10th November




9pm



Alison helping to mop up the last breaks
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Friday 5th November. collapsing and rebuilding.


9pm Friday



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Thursday 4th November...


Before




After


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Is it madness. Is it beauty. Ongoing diary. Day one, 2nd november 2010


4pm. Getting ready for day one.



Clare and Gill


As the water spills from the collapsing bowls, Gill or myself mop the water. The mop and bucket work like a cloak of invisibility. People carry on personal conversations a table width away. Even though it is clear we are facilitating the work, we vanish into our task.




9pm. End of day one.
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Is it madness. Is it beauty



In rehearsal for 'Is it madness.Is it beauty'. 31 November 2010.

Gill Clarke and myself will be helping Clare Twomey realise her installation piece 'Is it madness. Is it beauty' at the Siobhan Davies Studios over the next two weeks. The piece will evolve over time and I will post regular photographs of its development and/or destruction.

The piece is described: "Futile actions of hope continue, unrelenting, despite their impending devastation..."

2nd November to 7th November and 10th November to 14th November to see it in action. 85 St George's Road, London, SE1 6ER. See www.siobhandavies.com for times.
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